Tag: Samuel Adams

Democracy and Tasty Treats at Faneuil Hall

Bostons Faneuil Hall, which has been nicknamed The Cradle of Liberty, hosted
Americas first political town meeting. Since its construction by French Huguenot
merchant Peter Faneuil in 1742, the hall has served as a shelter for sheep, a lively
marketplace, and a center for free speech.

From the start, the halls activities have been divided by floor. The first floor briefly held
African sheep herded from New Hampshire; a sheep shortage soon brought that program
to a halt. Since 1748, the first floor has served as a public marketplace; Peter Faneuil
encouraged pushcart vendors to permanently set up shop. The second floor has long
featured the meeting hall, though it was briefly converted a theater during the British
occupation of 1774.
The first public meeting held at Faneuil was actually on the occasion of Peter Faneuils
death; his eulogy was read at the hall. Revolutionaries later used the site to protest King
Georges taxes and to pen the famous doctrine concerning no taxation without
representation. Following the Boston Massacre, the public filled the hall to capacity to
discuss the event. The patriot orator Samuel Adams gave an impassioned speech, and two
years later, he would there initiate the first Committee of Correspondence. That meeting
of colonial representatives is commonly considered the beginning of the American
Revolution. Today, a statue of Sam Adams stands outside the Hall.
As time went on, Faneuil Hall continued to be a popular political forum. Suffragist Lucy
Stone and abolitionists such as Frederick Douglass and William Lloyd Garrison drew
crowds in the 1800s. In the past century, Ted Kennedy and Bill Clinton have helped it
maintain the Cradle of Liberty nickname.
Architecturally, Faneuil Hall has undergone several expansions and restorations. First,
the entire building was razed in a 1761 fire. It was quickly rebuilt in time to hear early
revolutionaries speeches in 1762. Next, the building was significantly expanded in 1806.
Americas first native-born architect, Charles Bulfinch, doubled the halls height and
width. He added galleries around the second floor assembly room and added a third floor.
Twenty years later, additional construction expanded the Quincy Market. This meat and
produce market had been drawing more and more vendors and customers. By the mid-
1900s, however, the building had fallen into disrepair and was losing public interest.
Major restoration saved Faneuil Hall in the 1970s. This urban renewal was among the
first in American cities and inspired other projects nationwide.

One architectural element that has remained constant is a 38-pound gilded copper
grasshopper! Its the centerpiece of the buildings weathervane. Peter Faneuil
commissioned an artist to create this grasshopper; he was inspired by one that sat atop the
Royal Exchanges pinnacle in London. Thus, for colonial merchants the Faneuil Hall
weathervane was a symbol of Old World commerce. The grasshopper became so well-
known to northerners that when someone suspected a spy during the Revolution, theyd
ask, What sits atop Faneuil Hall? Those who didnt know were deemed likely British
agents.

Todays Faneuil Hall Marketplace refers to a group of four buildings: Faneuil Hall,
Quincy Market, North Market and South Market. The marketplace has pubs, restaurants,
and more than 125 vendors offering a wide variety of food and crafts. Each year more
than 15 million people visit the market. The popular landmark is listed on the National
Register of Historic Places and is now part of Boston National Historical Park.

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The Massachusetts State House

On July 4, 1798, surviving fathers of the American Revolution met in Boston for the
dedication of the Massachusetts State House. Governor Samuel Adams and patriot Paul
Revere placed the cornerstone, and Revere would later roll copper sheeting for the
capitols dome. With pomp and circumstance, stone for the building was drawn by fifteen
white horses one for each state in the Union. The State House would come to be known
as one of the greatest works of neoclassical architecture in the United States. It also
boasts a prime location, sitting on Beacon Hill and overlooking the prosperous Back Bay
and Boston Commons.

When the architect Charles Bulfinch designed this graceful seat of government, he was
inspired by the neoclassical Somerset House that rose above Londons River Thames.
Architectural buffs describe the State House design as intermediate between Georgian
and Federal styles. It is chiefly red brick with white accents. It has delicate Corinthian
columns, gently arching windows, and a vast golden dome.

The golden dome has been through a few important changes. The mound was originally
covered in wooden shingles. After Paul Revere laid copper sheeting, the dome was
finished with gold plating. It was painted gray during World War II to reduce its
vulnerability to potential Axis bombers; if there had been a blackout, the governments
dome wouldve shone conspicuously in the moonlight.

The State House dome is capped with a pinecone. This symbolizes the states
appreciation for the pine tree. Early Boston architecture, including the State House itself,
relied upon pinewood from surrounding forests.

As state government grew, Massachusetts built additions to Bulfinchs work. In 1895, a
yellow brick Brigham Annex was erected for new bureaucrats offices. Two marbled
stone wings were added in the early 1900s to provide fireproofing and additional office
space. Inside the State House today are the Governors office, the chambers of the House
and Senate, and three halls.

Doric Hall is named for the ten Doric columns that line its interior. These were originally
carved trunks from pine trees, but today the columns are made of plaster and iron. Doric
Hall is home to many statues and portraits, including an 1826 statue of George
Washington. In the marble corridor just outside Doric, the Hear Us display honors the
contributions of several influential women from Massachusetts history, including
Dorothea Dix and Lucy Stone.

The Hall of Flags honors Massachusetts residents who served in battles. It displays copies
of battle flags from all of the wars in which Massachusetts regiments have participated.
(The original textile flags are being preserved elsewhere.) These include flags from the
Spanish-American War, World Wars I and II, the Korean War, Berlin, and Vietnam. The
Hall of Flags is also decorated with murals, such as The Return of the Colors, which
depicts the return of flags after Civil War combat in 1865.

The Great Hall, completed in1990, is the newest architectural addition to the State House.
This impressive, airy hall is made of tri-colored marble topped with a glass dome.
Circular patterns on the floor were installed to create a clock motif; a few years earlier,
the state legislature had acquired an extravagant $100,000 clock made in modernist style.
The room is also decorated with 351 flags from Massachusetts localities. The expansive
room is used for large state events. A statue of President John F. Kennedy depicts him
striding across the Hall perhaps to meet up with a nearby figure of Horace Mann or
Daniel Webster.

Two statues of Colonial American women stand on the State House lawn. One is of Anne
Hutchinson, whose religious teachings led to her excommunication from Massachusetts
Bay Colony in 1638. She then co-founded Rhode Island on the principle of religious
freedom. The second statue is of Mary Dyer. In 1660, Bostonians hanged her for
violating a ban against Quakers traveling in their colony. Dyers statue eerily overlooks
the site of her execution: the gallows on Boston Common. She is one of four people
known as the Boston Martyrs. Along with the spirits of Anne Hutchinson, Sam Adams,
John Hancock, and other influential Americans, Mary Dyers spirit lives on at the State
House.

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